12 Rules For Writers

Writing is difficult, but its also something so basic to who we are as intelligent beings, that despite its difficulty, its something literally anyone and everyone can grasp. Art happens when the writer expresses something unique that emerges from the self and says something more than the contents and the tropes and methods learned from the craft. A craft on the other hand is a series of techniques to efficiently and easily perform a task, in this case the ancient art of writing. This being said, it is imperative that any aspiring writer learn the craft of writing. Just as potential martial artist must learn their craft in a dojo, or a potential musician study their instrument of choice and learn from mistresses and masters of the art, so too a potential writer needs to learn about how to write in order to write well. This tiny primer will help one take the first steps.

  1. What is Creative Writing?

Creative Writing has its origins in our ancient practise of storytelling and poetry recitation. Creative Writing communicates what it means to live in the world in all varieties and forms. Creative writing helps us understand the world and it helps us describe our own and others experiences of living in the world. Its useful and life enhancing and good for us all.

2. Writing is for everyone.

Writing and storytelling is an art and a craft that has been practised for millennia. It can be practised by anyone who wants to be a writer. Writing is both an art and a craft. In other words, if you are interested in getting to know the world of writing a little better and try it out, there are certain skills one can learn and develop that will help one to express oneself more clearly and easily. Developing these skills takes time and practise, like any craft.  From the craft of writing we can then work at developing our artistic gifts.

3. Find your space. 

Have some place where you can write in peace and quiet. It’s difficult to work in a place with lots of distractions. Once you find your space, work out a schedule you can live with, and stick to it.

4. Schedule time.

Writing takes time and effort. Writing is often re-writing. Because it takes time and patience to grow your art, it’s important to schedule quality time outside our busy lives to make time for ourselves to be creative.

5. Get a Notebook.

Bring your notebook everywhere. What we write is a record of our lives, our thoughts, our hopes and our dreams, and starting with a notebook we can build these stories. A notebook is the indispensable tool for every writer.  Write down thoughts, impressions, dreams, useful facts, memories, ideas for stories, poems, screenplays, theatre pieces. Remember that your notebook is your own and keep it private.

6. Go to open-mics, gigs, and writing groups.

Meet and associate with other writers and artists. Don’t isolate. You learn quickly from the example of others, also there are many courses and regular readings out there to test your work and see how it is received by an audience. Take your time and go to a few, and when you feel ready go up and read a poem or a short piece of fiction in front of a group.

7. Read.

Every great writer is a great reader. Use your local library. Read often and for long periods. Familiarize yourself with as many writers, thinkers, muses, as you can. This experience will deepen your knowledge not only of the world (which is important for your writing) but will show you how other writers approached various subjects, and help you avoid pitfalls.

8. Keep a healthy work life-balance.

If you take to writing, it can be a fascinating, fulfilling, and a demanding occupation. Remember to keep a good balance between your social and private life.  Stay healthy, sleep lots, eat well, and avoid unhealthy lifestyles.

9.  Write a certain amount you have already decided upon each day, and then stop.

It’s best to stop each day at a high point. Make a note of where you stopped, date it and continue from that point the next day, or when you decide to.

10. Take regular breaks from your writing.

It’s healthy and good for your work to take a break. Then, after the break, go back to the manuscript with fresh eyes, and, most importantly, a refreshed brain and body.

11. Take Writing Courses.

It’s a good idea to do writing courses; many are excellent and helpful.  The important thing to always remember is to develop your own style. The only way to develop your own style is to write, and keep writing, and not give up.

12. Have fun.

Writing is probably one of the most fulfilling, delightful, mysterious, fascinating, and educational of occupations.  Never stop enjoying it.

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The Poetry Circle Limerick – a reading with 3 poets – plus music

The Poetry Circle in association with Salmon Poetry present
A reading with three poets plus music from Three Women Sing.
Mon 27th May 7.30pm Nelly’s Corner, Nicholas St., Limerick (see below for google maps link)

Hosted by Oran Ryan

https://goo.gl/maps/vXfbsMWJAEf1tTZJ9

The Poetry Circle, a new series brought to you by the Limerick Writers’ Centre. This series is called The Poetry Circle in honour of the Great Limerick Poet, Desmond O Grady, who first formed and read his work at a reading, also called The Poetry Circle, in 1954 at the White House Bar on O Connell St, in Limerick.

Jo Slade‘s 5th poetry collection ‘Cycles & Lost Monkeys’ was published by Salmon Poetry in March, 2019. She has published 4 previous collections with Salmon, including ‘The Painter’s House’ (Salmon Poetry, 2013) which was joint recipient of the Michael Hartnett Poetry Prize in 2014. Her poems have been translated into French, Spanish, Romanian, Norwegian, Russian, Italian & Slovenian; published in literary journals and broadsheets in, Northern Ireland, UK, USA, Canada, Russia, France, Slovenia, Spain, the Channel Islands & Italy. She was Writer-in-Residence for Limerick County Council in 2006 and Writer-in-Residence at the Centre Culturel Irlandais, Paris in 2007. She has received Literature Bursary & Travel Grants from The Arts Council of Ireland, Culture Ireland & Limerick City Council.

Richard Peabody ‘s most recent poetry collection ‘Guinness on the Quay’ was published by Salmon Poetry in March, 2019.Earlier poetry collections include ‘I’m in Love with the Morton Salt Girl’, ‘Sad Fashions’, ‘Mood Vertigo’, and ‘Speed Enforced by Aircraft’. He is the remaining founding editor of Gargoyle Magazine (established in 1976) and editor (or co-editor) of 20+ anthologies including ‘Mondo Barbie’, ‘Mondo Elvi’s, ‘Conversations with Gore Vidal’, and ‘A Different Beat: Writings by Women of the Beat Generation’. The author of a novella and three short story collections, he taught graduate fiction writing at Johns Hopkins University for 15 years. His most recent book is ‘The Richard Peabody Reader’ (Alan Squire Publishers, 2015). Anthology credits include: ‘Dogs Singing: A Tribute Anthology’ (Salmon Poetry), ‘Short Fuse: The Global Anthology of New Fusion Poetry’ (Ratapallax Press), ‘100 Poets Against the War ‘(Salt Publishing), ‘Poetic Voices Without Borders’ (Gival Press), ‘Working Words: A Working Class and Labor Literature Reader’ (Coffeehouse), ‘In the Criminal’s Cabinet’ (nthposition), ‘Stories of Our Landmined World’ (EJP), and ‘The Incredible Sestina Anthology’ (Write Bloody Publishing).

Su Love‘s ‘The Memoir of Mona Lisa and Other Poems’ was published by Salmon Poetry in March, 2019. She is the author of seven earlier collections of poetry. Her work has been recognized with, notably, the Jane Kenyon Poetry Prize and residencies with the St. Croix Watershed Research Station and Tofte Lake Center in Minnesota and the Unamuno Author Series in Madrid. She is a 2019 recipient of an Artist Initiative grant from the Minnesota State Arts Board.

Three Women Sing are three women who between them have eight children, four grandchildren and three fine men! Their collective ages make them 155 years old! So go figure!

Shona Blake is an Irish singer songwriter living in Miltown Malbay, Co Clare. Her thoughtful prose has a haunting honesty and meaning drawing from her life experiences. She plays as part of a duo along side her husband Paul McCabe an accomplished musician.

Claire Watts is an all round musician who plays traditional Irish music on flute, is a singer-songwriter and guitar player. She teaches music and recently released her second album. The Irish singer – songwriter John Spillane commented on Claire’s EP as follows; “Claire Watts is a lovely singer with a clear, honest and beautiful voice. You’d have to have a heart of stone not to be moved by these songs.”

Richard, Jo and Sue

Anne Rynne has only lately come into the whole music scene after rearing herfamily and most importantly finding her voice. From a family of singers, Anne was always a reluctant singer. About four years ago her brother loaned her a guitar – “for 50 years on condition you play it every day”, and she does and says it has utterly changed her life. She released her ‘debut’ album last year.

Details: limerickwriterscentre@gmail.com

The Dragon

It’s extraordinary how much a city can change in a short period of time. Take Dublin. In 2013 when I last lived here full time, Dublin was a vibrant city in the midst of change, just pulling out of the last vestiges of a huge economic slump. There was a sense of hope, of expectation, of burgeoning change. People were angry and yet hopeful. Now the economy has taken off and a type of lonely impersonal self-absorption has set in.

The city is bustling with busyness and smartphones and businesses and commuters. I see traffic and armed police officers, huge shopping queues, coffee shops with laptop wielding nerds and professional couples, people with baby strollers decompressing during lunchtime, solitary folk texting during break-time, stone faced professionals performing at breakfast meetings wielding busy clipboards and watching their tone and body language, restaurants filled brimful on weekday evenings when they should be half empty, and hordes of daily commuters trudging to work in obligatory reflective gear while I walk my dog at seven AM.

I am stuck in Dublin. But only for a short time. I am trapped in the city while I await the sale of my house to go through. It’s a frustrating depressing time. I have no job. I am recently unemployed having worked in a school in Karpacz, Southern Silesia in Poland. I loved my job. I loved teaching, and Poland was beautiful, if not a country grimly drifting so far rightward to becoming autocratic and living in a forbidding past. Some reports since my own departing seem to validate my choice to get out. Friends who live there right now are planning their departure in the forseeable future. However I had to come back to see through my house sale. Most of all, I had to come back because Ireland is my home, and I love Ireland.

The house I live in is empty. And, as I said, I have nothing to do. Moreover, its Christmas – ugh. And I just don’t do Christmas. From my early teens Christmas has always been a meaningless time for me. So as I pen this, I am aware how my own emotional filters colour these impressions and word pictures. Yet despite this caveat, the things I pen here have that gut feeling of a deep truth.

Its morning. I am still in Fairview Park. It’s dark and frosty and a huge half-moon hangs in the morning sky.  Workers whizz past along bicycle tracks in generic helmets and reflective gear and it all seems so correct and legal and safe and, well, boring. I just couldn’t do it. Not now…

Truly I say to myself (as my dog drags me round the park chasing pigeons), the life of a writer is incomprehensible to someone who does not write, who has never experienced its thrill, its seduction, its consciousness altering potential, the sheer rush of producing something good (though as Bob Dylan says you have to write ten bad songs to write one good one).

Once one enters into the dragon’s cave of being a writer, once one discovers the gold the Dragon sleeps under, nothing else in life is as beautiful or as enthralling. One has to befriend this Dragon. Not tame it, but befriend it. Accept its awesome power and beauty, and never be tempted by the gold.

There’s a lot of gold in the city now. Maybe its a different gold to the one that I am tempted by. And people are chasing it. I wonder if they know there is  usually a Dragon guarding it down there. Dragons take no prisoners. They look busy, these people. Focused. They are travelling as though they have a purpose. They are clean. Rested. Drinking coffee from one of those cappuccino stands that dot thoroughfares. The sun is coming up. Others have swung out on their bikes onto the main roads. Traffic is obscenely busy into the city centre. These people have got about twenty minutes to be at their computers. Or desks. Or meetings. Clients are waiting. I am going home. Have to make a sandwich. Or something. I haven’t decided yet. Yes, I guess I am hungry. Definitely a sandwich.

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Martin A. Egan 1952 – 2015

Martin A. Egan Promo 53 2011Martin Egan, my friend, died in hospital at 2.30 this morning. He had been suffering from cancer. Martin was a songwriter, a poet, a visual artist, and a prodigious journaller of life’s many joys and tragedies.

I met him at a book launch downstairs at the Twisted Pepper in Dublin in 20**. I found myself standing beside him in a crowd. As we listened to some very bad poetry he turned to me and muttered something about the work being performed being a ‘load of total shite’. I looked at him for a second, really surprised and a tad aghast. He smiled knowingly at me and knowingly raised his eyebrows a little. Then we both burst out laughing. In the midst of all the gushing naval gazing self-congratulation, his candour was such a relief. And I had no idea who this person was at the time. We shook hands and sat down together. He told me that day he was working on a biography of his life and, typical of Martin, he told me all about it. From this we began a conversation that was continued over the years with meetings and phone calls and the very occasional reading that we did together.

He lived the life of a bohemian artist, wrote songs on multi platinum albums, painted haunting self portraits – some of whom appeared on the covers of his own albums, struggled and overcame many demons both internal and external, and wrote some of the most searingly honest poetry that I have ever had the pleasure of reading. For Martin a life that was not honestly depicted and examined through the lens of art was an inauthentic one, and he had no time for anything other than truth, in the fullest lived, completely subjective, warts-and-all sense of the term. His vast reading and highly intelligent grasp of the nuts and bolts of writing enabled him to clearly depict the raw edge of life, of the life of an artist, of the search for what it meant to be a human being in the world, of the peculiarly Irish aspect of the legacy of addiction and sexual abuse, of the terrible heartbreaking loss of loved ones, and the scars one carries from failed relationships. He wrote and sung of the immeasurable joy of pure artistic inspiration, of the loneliness of being and innovator and finding an authentic artistic voice. More than anything he sought to accurately depict his own story, as for Martin personal experience rather than all the reading and listening to music and viewing of art he did, was the testing ground for acquiring authentic knowledge.

 Martin was also one of the funniest men I have ever met, and the hilarity of some of the conversations we shared over the years will stay with me for as long as I live. A few weeks ago he called me while I was out in the middle of a wood and told me he knew he was near the end of his life and that he was okay with that. He then went on to say that he had given the matter a lot of thought and he had now compiled a list of people he was definitely going to haunt. Martin was simply irrepressible.

I admired his talent, his intelligence and his commitment to his craft. He would ring me up regularly and ask me what I was writing and how it was going, and after listening to me he would in turn tell me at length and in great detail just what he was working on, the books and various authors he was devouring in order to complete the various projects he was working on, and what was the true meaning of art and what was its place in a society that was so addicted to the most superficial and pretentious meaning of artistic achievement. Our conversations would go on for hours and I would often find myself late for other appointments and having to ring up and apologise and reschedule, so enthralled and tired I would be after these Olympian discussions.

More than anything Martin was my friend, and he was an immeasurably loyal friend. We never once argued and we never once fell out with each other. We were never short of a topic for discussion and I have never met anyone more supportive of the life of the artist both in principle or in reality. I cannot accurately depict how much I miss him, as I know his many other friends and admirers will miss him. He was such a unique and lovable man. And such a marvellous artist.

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   A snapshot of a Last Wednesday poetry and prose reading taken by Sarah Lundberg in June 2010 with, from Left, Steve Conway, Bob Shakeshaft, Eamonn Lynskey, Oran Ryan, Martin A Egan, Raven and Ross Hattaway.

“For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments, [2]
Myself not least, but honour’d of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world, whose margin fades
For ever and for ever when I move.”

from ‘Ulysses’ by Alfred Lord Tennyson

Eight things about reading at O Bheal in Cork that everyone should know

Ireland is replete with literary events and poetry readings. All literary events are literary, but not all of them are equal. O Bheal ( www.obheal.ie ) is a particularly good one, and it was a marvelously enjoyable evening for me.

1. Resistance is futile. You are made just so welcome. I am not a particularly nervous reader of my work (or indeed of anyone elses). That is, except about two minutes before I stand up. Then and only then do I generally get the most dreadful attack of nerves, which dissipates pretty quickly. Even if I were a sufferer from chronic stage fright, it wouldn’t matter. Paul Casey and his team of MC’s make one so welcome and comfortable. No need to be afraid.

2. Practice before. O Bheal, to my mind is an important reading. It had been over a year since I  had given a reading, so, feeling rusty, I prepared, maybe too much on reflection. I should have had more of an edge on me. Less smooth. Though when I turned up for the reading (way too early as it happened and wandered around Cork City for an hour) I was glad I had. One is reading to a discerning and humorous audience. If they don’t like the poem, they don’t clap. They aren’t rude or unreceptive or snobbish. Its clear, all too clear one is dealing with an audience who are there because they love poetry. I was relieved. I chose my words had my stuff ready, and read acceptably. So, even if you read twice a week every week, prepare yourself.

3. Its Not Trying to be Cool or Clever, It Just Is. O Bheal is run by writers and artists for writers, artists, and lovers of good writing. Terrible readings generally are either (a) over formalized or (b) over controlled by tradition or (c) given to a reactionary rebelliousness, or (d) so replete with establishment self congratulation true self expression is impossible. Real innovation exists somewhere between the twin horns of the dilemma of established tradition and innovation. O Bheal segues around this difficulty as it embraces both sides of the aisle. You can, within reason, read whatever you like, and nobody gets offended. I have had, in the past to temper my material to avoid giving offense to people. In actual fact, in order to avoid any such eventuality, I actually asked if there was any subject I might avoid so as to no offend anyone. I was told not to worry.

4. Winthrop Street in Cork is a Super Venue. Its not too big, not too small. Its a kind of Goldilocks venue, just the right size. Homely and welcoming, I loved it. Here’s a map:

5. Its Got a Good Mix. O Bheal combines an open mic, a featured reader, and what is known as the ‘five word challenge’. People suggest five words. and you have to make up a poem from the five words. The winner gets a pint free from the bar. Some of the poems are remarkable. My own offering was absolutely dire, by the way.

6. Its Social. Like Seven Towers events O Bheal has a strong social element. I got involved, despite being really tired from five hours traveling, and giving a reading, in all kinds of discussions about writing mostly. These included such arcane topics  as second century atheistic poetry in Muslim countries and Doris Lessings post colonial guilt. I got into my rooms about 2 AM, completely wrecked. Then I had the joy of listening to the loudest snoring I ever heard ever from downstairs. It sounded like the bed and breakfast had a dragon staying.

7. You get Paid and B&B. They put you up in a really nice B&B and they pay you. Enough said. This is important. Writers need to be paid. Thanks to Paul Casey and the team. Kudos.

8. The Reading. And heres my reading 8th June 2015 at O Bheal Winthrop Street. Cork

Enjoy, and check out the event. A great evening.

No Belief Systems Remain Unharmed by These Blogs

Raif-Badawi--008I believe in blogging. I am often shocked what other bloggers endure in order to keep on blogging, in a forum wherein one supposedly can engage in some kind of free expression. The most obvious one is that of the Saudi Blogger Raif Badawi who was recently sentenced to 1000 lashes in Saudi Arabia for ‘cybercrime’ and ‘insulting Islam’. Word has it Raif Badawi will now be tried for apostasy, which carries the death penalty. I did not realize Islam was so sensitive to criticism. In point of fact, I do not think it is, that is, normally speaking. Generally speaking any belief system that inflicts this type of extreme punishment against its dissidents is somewhat doomed. History is littered with examples of failed purges.  Anyhow Islam is a rather fascinating and magnificent system. Personally I don’t believe a word of it, but some of the finest cultural artistic and scientific advances have occurred within the context of Isalm, including the glorious invention of beer (which came not from Saudi Arabia which is our topic right now, but Iraq 4000 years ago, and developed there from through Islam) But to return to Saudi Arabia, it is not a country a secular atheist writer might feel the warmest of welcomes, seeing as it thinks little or nothing of administering rather brutal punishments on those whose views it violently disagrees with. There are other examples of Islam doing such things on unbelievers, many others like this. According to Sarah Anne Hughes (communications assistant for the American Humanist Association.) She writes “Recently in Bangladesh, the government removed hundreds of online posts by seven atheist and secular bloggers who “defamed Islam and the Prophet Mohammed,” according to the AFP. The country’s Prime Minister Sheikh Hasina pledged to punish the bloggers who spoke against Islam. So far, four bloggers – including one who openly identifies as a “militant atheist” — have been arrested and now face up to ten years in jail if convicted of violating cyber laws.” (read the article in full here : http://americanhumanist.org/HNN/details/2013-04-atheist-discrimination-the-weird-and-serious-ways-no )
I of course have no personal or spiritual interest in Islam, nor any faith, aside from enjoying the Koran the few times I read it. Faiths have been rooted out and destroyed and recreated in numerous indeed hundreds of forms throughout history. But that is another issue. Its also true in my experience that not one of the Muslims I interact with have ever espoused such extremist views as what one reads about. In ways it seems almost like an exercise in Islamophobia to read so many negative stories about the faith of Islam so often in the press. That being said, it’s outrageous to see fellow writers, or indeed anyone persecuted for their basic human right to free expression as freedom is freedom to express the self without harm to another. Given the crooked and labyrinthine world of the internet, it’s inevitable too that divergent views of all kinds will emerge in even the most narrow and repressive of regimes given the rise of blogging, a medium extremely difficult to control, and largely out of the reach of governmental control. Think of how easy it is to respond to, or write about the contents of another blog or post, for good or ill.

Torture, imprisonment, lashes, and religious or political police who take your ideological and doctrinal temperature and make of you a spy upon your neighbour or family is one way of controlling the minds of a population. It is quite effective, and the more bloody and brutal and spiritually inspired, its more justified. During the middle ages, for example, the justification for such torments inflicted upon Christian schismatics and unbelievers was the blessings of confession and forgiveness and as a consequence, the glories of heaven and the joys of God’s presence in eternity. But you can’t have that in the West. Firstly that’s just not legal, unless one whisks a suspect off to a black site injected with some kind of anesthetic and hooded where he or she can be tortured far from the inconveniences of the Geneva Convention, tormented and broken in peace, that is, until they confess their sins. Outside of purely political ‘terror’ suspects you just can’t do that to the general public. People ask questions. If you have them by their minds, their hearts and wallets will inevitably follow. Anyway by an large torture doesn’t work. Torture is an instrument of power. It doesn’t change your mind. Secondly we have the problem of the internet. It doesn’t matter how many people one questions, word spreads at the speed of light. For instance this picture was posted on Facebook and received seventeen thousand views and forty nine thousand shares. Facebook, like the NSA and MI5 and all the other governments involve in the intelligence community, keep count of everything.

Not exactly a political view an establishment superstructure would want propagated through the online community. Of course this is easily dismissible as merely a witty meme filled with politically apt language, giving something of a left of center conspiracy theory on the operations of a worldwide governmental military industrially manufactured control structure, a worldwide governmental conspiracy to spy on our every online move, that and just about every aspect of our lives, generate wars, and manufacture our consent to the status quo, whatever that status quo might be at any given historical juncture. Yes I expect one could dismiss it, if it hadn’t been proven by Edward Snowden’s revelations. If we don’t believe that Big Brother is really watching us, if we don’t believe that enemies are manufactured for the purposes of waging war to increase governments market share, if we don’t believe that we are given just enough education to be controllable, then we are simply ignoring the evidence that has been presented to us. We simply have not been paying attention and the lessons of history are lost unto us.

But surely bad people should go to jail? Yes. But only after a fair publicly accountable trial, not a mafia style hit by Special Forces in the dead of night.

Which brings me back to the importance of us all keeping talking to each other. Blogs help. Online communications help. The idea is that ideas matter. We need something to change our minds, and each of us has a unique perspective and that unique perspective has the ability to open other people’s minds. The best communication of all is face to face, physical meetings and physical confrontations, not that the gift of the internet has not been a good thing. So belief systems should be harmed by these blogs. And the more the merrier. Lets keep talking.

Ursula K Le Guin’s Cracking Speech at the National Book Foundation Awards

 

Ursula K. Le Guin accepts the National Book Foundation’s Medal for Distinguished Contribution to American Letters at the 65th National Book Awards on November 19, 2014.

A Brief Riveting Speech by a Mistress of Letters about the difference between writing for a market and writing for art.

 

A few days back a brilliant writer, someone who was somewhat relegated to the genre of science fiction and fantasy, was hugely honoured at the U.S. National book awards. This is in itself a matter of considerable significance. Ursula Le Guin has been re imagining our possible futures for decades in her novels and poetry, and science fiction, a genre which never really got the kinds of recognition it deserved as an art form ( I am a huge fan of same) is now beginning to be really recognized, because we are now living in the age of science fiction.  As Videos tend to disappear from You Tube,I quote Le Guin’s speech here in full. She received the award from Neil Gaiman. 

“Thank you Neil, and to the givers of this beautiful reward, my thanks from the heart. My family, my agent, editors, know that my being here is their doing as well as mine, and that the beautiful reward is theirs as much as mine. And I rejoice at accepting it for, and sharing it with, all the writers who were excluded from literature for so long, my fellow authors of fantasy and science fiction—writers of the imagination, who for the last 50 years watched the beautiful rewards go to the so-called realists.

I think hard times are coming when we will be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope. We will need writers who can remember freedom. Poets, visionaries—the realists of a larger reality.

Right now, I think we need writers who know the difference between the production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximize corporate profit and advertising revenue is not quite the same thing as responsible book publishing or authorship. (Thank you, brave applauders.)

Yet I see sales departments given control over editorial; I see my own publishers in a silly panic of ignorance and greed, charging public libraries for an ebook six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience and writers threatened by corporate fatwa, and I see a lot of us, the producers who write the books, and make the books, accepting this. Letting commodity profiteers sell us like deodorant, and tell us what to publish and what to write. (Well, I love you too, darling.)

Books, you know, they’re not just commodities. The profit motive often is in conflict with the aims of art. We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art—the art of words.

I have had a long career and a good one. In good company. Now here, at the end of it, I really don’t want to watch American literature get sold down the river. We who live by writing and publishing want—and should demand—our fair share of the proceeds. But the name of our beautiful reward is not profit. Its name is freedom.

Thank you.”

Brilliant Stuff from a brilliant mind.