Some Notes on Facebook

We’re all Friends here, You Know…

Facebook, as Ms. Tina Turner would say, is simply the best. If one were to come up with a more ingenious idea for a social media platform, I could not improve upon Facebook. It has become the communication platform for over two billion users of all ages (as of 2017). I would guesstimate it’s superceded only by email, the smartphone and the television in popularity and use. Facebook is so clever in its design, it actually employs all the features of email, the phone and the television, having within its increasingly matrix like structure, all kinds and sorts of channels and groups and live video feeds, as well as online chat, facetime and the capacity to call any one user or group from anywhere to anywhere, just so long as you have a Facebook account and an internet link. Its scope is unlimited as it transcends national boundaries, political parties, religion, or age. After live video, pictures, speech, music and the billions of words typed into the Facebook, it is only a matter of time before we all log into Facebook with a retinal scan, post comments via voice recognition software, and chat with Mom or our boyfriend via live holographic interface. Like the web itself, the phenomenon of what happens on Facebook is simply astonishing. Births, deaths, marriages, and events of international and national importance are shared and discussed with forensic detail all times of the day or night. Its also a huge online gaming platform. For instance, every second there are twenty thousand people using it, and, as a result of this level of usage, its functionality is constantly being worked upon.

This is the era of privacy, or the lack of it. For instance I am typing this on WordPress. Above the screen where I type these words, the wordpress program has worked out my location to within a metre or two. When I press ‘Update’, that location is confirmed public for all to see. This is cyberspace, where everything is connected and everything leaves a data trail. The first rule of forensics is that every action leaves a trace. Its interesting. We are surrounded by cheap but sophisticated technology. If your cell phone locates you twenty four seven, and Amazon knows what books you buy or search for, and Google knows your searches and your location, as well as your email address book, then Facebook knows your friends, what you are interested in, and what you and your friends look like, your every action leaves a searchable forensic data trail, forever. A data trail exists now for everything we do. Saying we have nothing to fear if we do no wrong is the first and last cry of an authoritarian state. Privacy is not a privelige. Facebook (and the other aforementioned companies) were founded in the USA. In the USA there are very weak privacy laws. Privacy isn’t codified either in the Constitution nor the Bill of Rights. When you post pictures, then FB owns your image. In fact it has been pointed out the reason why Facebook is free to join is simply because the psychographics and data amassed by one’s posting activity on FB actually makes you and I their product.

The problem with having a virtual self

                            What is Facebook?

Facebook is a place to connect virtually. Facebook is the biggest metadata marketplace on the planet. FB is a blogspace, a place where religion is practised, a human rights platform,  a place where missing persons are searched for (and found), a marketing tool, an advertising goldmine, a political forum, a dating and sexting site, and somewhere you can meet new people and talk about how much you like puppies or porn or classic science fiction. There are so many new people on facebook – people with lives and biographies and loves and hates and favourite music and bands and websites and marriages and divorces and children and billions of pictures of cats and babies, all there for you to explore. Its absorbing, and creates an increasingly complete dossier available to FB sales and marketing for every FB user. As an inveterate snoop, I have whiled away whole evenings just browsing through all of the human Facebook drama. I can only imagine how useful and lucrative it must be for FB itself. So what does one do on Facebook? You make ‘friends’ on Facebook. Right now you can have up to five thousand ‘friends’. Interestingly one of the many signs of modern loneliness (an experience which is quickly becoming a social epidemic in our ever connected wired up urban and suburban world), is when you have far more friends on FB than you have in real life. Virtual friends will never supercede human contact. Nevertheless, when the platform gets even bigger, along with bandwith and personal and corporate computers growing ever more powerful, I am sure the friend-number will increase. Its scope is, really, unlimited. Right now its worth $403 billion, which is a simply astounding number, considering this is 2017 and it was only founded twelve years ago, its becoming an internet in and of itself, rather like Google, except its not Google. Google is focused on information. Its founders are interested in designing Artificial Intelligence. Facebook is about people, and thats why it is talked about so much. Google, so much a part of the very substance of much internet work is simply a piece of the architecture upon which the web is built. Facebook provides the places we meet people. Facebook is kind of like a city, whereas Google is rather like the State wherein the city has been built.

Whats On Your Mind?

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It’s Important to Share

Facebook wants to know whats on your mind. The above question, along with a text box and a facility for posting pictures and videos appears at the top of one’s personal feed.  So, straight away we have a means to speak our minds and possibly be heard by, well, everyone. One can also see whats on other peoples minds, from just how much they don’t like Donald Trump, to holiday photos, to photos of meals and fleatrap hotels, to medical updates, to whines about hangovers and boyfriends, to adorable baby seals and crazy stunts, and of course bazillions of puppy and cat videos. It’s incredible. Its an information overload of unprecedented proportions. All of life trots across ones FB webpage. That, and the chance to go wandering around others’ lives becomes an all consuming and vastly time-consuming interest. This is especially the case if you start commenting or posting status updates of one’s own, and the dynamic of posting and reposting status updates becomes a kind of game of reciprocal virtual ping-pong that has no beginning or no end. It goes on an on like a Wagner Opera. Every time we post something, well it’s forever. Every post and comment and ‘like’ is there – forever. Even the things we delete are ‘remembered’, and everything we say -it says something as much about ourselves as it does about the topic of our post. Did I mention data analysis? Everything we type is analysed. Every contact is analysed.

And the data collection goes on…

And stored And calibrated. Profiles are built. Our styles of commenting are analysed. Our photos, our arguments – all stored. Those we friend or unfriend or block is part of our profile. I recently unfriended a rather unpleasant FB friend and was reminded by FB on my ‘feed’ that they ‘noticed’ I unfriended someone. But don’t worry, I was told. FB won’t tell this third party I unfriended them. they’ll keep mum. How reassuring, I thought. How kind, even.

Don’t forget too, that all the main security services of the world are here too. All the big names, and a few unnameables. They keep a vigilant watch over every single user – for freedom demands that kind of eternal vigilance. Oh, and data is shared by international agreement. Everything is logged and stored. I don’t think its an exaggeration to say that privacy is now something we tell ourselves we have. But we don’t. If the Internet is forever, then Facebook is the Hotel California. You can log out any time you like, but you can never leave. Your page is there for you long after you deactivate your page. All you got to do is log right back in and your stuff is there for you. Thats great, right?

I Can Stop Using Facebook Anytime I want, I just ‘Like’ it

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The Facebook ‘Like’ Button

Facebook is both addictive and its evolving, like a hive or a virtual lifeform. Its tools are becoming more and more refined and those aspects of it which serve no purpose are removed or corrected. They got an army of programmers and analysts all over that platform. Two aspects of FB though I bet will never disappear. One is the capacity to comment on posts, and the big second is the ‘Like’ Button. I think few of us really acknowledge the creeping aspect of ones attachment to using the Facebook platform. You get your account and you start off small. One post here. One ‘Like’ there. One picture of your lovely girlfriend on holiday, and then the ‘Likes’ start coming. You got a new job, or in my case, get published in a prestigious journal and you humblebrag about it and then people start ‘Liking’. The most powerful virtual tool right now is the Facebook ‘Like’ button. One ‘ Like’ and you get a little endorphin kick. A dose of Oxytocin (aka the ‘hug drug’). Facebook is liking. One can keep contact with old friends without the huge time consuming committment. One can go finding out stuff – satisfy our infomania. One can quantify our friendship quotient and fill the deepest need we have in this increasingly atomised culture – the need to belong, to be part of a group, to have that deep sense of support and contact. Facebook be loving us. Don’t go, it says. Thus to leave Facebook in the light of the social, interpersonal, political and cultural advantages it offers as a free platform, is a huge emotional wrench. It is no exaggeration to say that Facebook is addictive. It should come with a warning. Like sugar, the most addictive substance on the planet, Facebook is sweet and reassuring and omnipresent. And it’s truly a demon one has to exorcise from one’s system once one decides to leave.

Detoxing From facebook

Lastly, aside from the vast, vast, waste of time that is Facebook, Facebook makes one jealous. Perhaps ‘envy’ is the right word. Perhaps both. Facebook is saddening. We ‘see’ that version of others’ lives on Facebook and we want what they have. People can’t help humblebragging. Let me unpack that. For instance: recently a ‘friend’ mentioned he was logging off FB because he had to take time out to edit his recently completed novel, which sends a message of success to all the other FB writers out there, and makes me anguished personally as I take forever to finish anything, what with my sitting on my bum thinking all the damn time. Another talks about how busy she has been of late and in sweet terms – and then agave sweetly apologizes to her Facebook friends beacuse she was away on a fabulous holiday with her new lover. Another posts pictures of their new baby, another talks about her new job or that particular prestigious poetry journal she got into, another is busily trekking across France, another is writing a blogpost. And on and on. Nobody wants to talk about daily disasters. Moreover, people seem to be living the lives of movie stars and celebrities. No one seems to be failing or screwing up, like we all fail and screw up – far more than we succeed. And this is the problem. It creates a culture of competition, of a sense of inadequacy and consequent over compensation that has been commented on and analysed by many, many psychologists and podcasters and online journals (GO GOOGLE). Of course, ones self-worth should have nothing to do with the lives of others, that is, in an ideal world. Perhaps if we focused our energies on real life, none of this would happen. Perhaps if we stopped Facebook, went cold turkey and supported each other in coming off this addictive virtual experience, we might take the energy we are using online and made more creative uses of our lives. Maybe. Peace. O.

A Tiny Jot on the Horizon

 

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A WARNING ABOUT XENOMORPHS FROM WEYLAND YUTANI CORP

Aside from being a huge fan of the Alien franchise, over the last months I have started stargazing. Despite the endless rain we have in Kerry in South of Ireland, the night sky down here is mainly free of light pollution, that is when those clouds finally clear. Given  a fairly clear night, an hour or two without rain, a warm coat, some gloves and a bit of hot whiskey, fun can be had (sadly Im on a diet – so no whiskey). Also, and most happily, my landlord has a pretty cool telescope. We spend hours looking at the moon and Saturn and occasionally a tiny Mars appears. There are countless stars out there and just staring into a telescope gives one and incredible rush of transcendence. There before one’s eyes are actual proof of other galaxies and other planets and other constellations. Call it a Galileo (remember what happened to him?) moment but we humans sometimes forget how small we are and how vast it all is out there. I find I love to look out through a telescope as opposed to looking into a computer screen. I find it wonderful to sit out on a clear night and allow my eyes to become accustomed to the dark after countless hours of artificial light. After a while the clouds disappear and I look up.

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FORMULA FOR CALCUALTING THE PROBABILITY OF ALIEN LIFE IN THE UNIVERSE

 

So many stars. Satellites come out at night. It’s fantastic. It’s literally a trip. Try it. Bring the kids. Bring your friends. Go up a hill at night and look at the sky. If you have a telescope all the better. But even with the naked eye looking at huge boiling stars lighting up the night sky millions or billions of light years away, is the most fun you can ever have without spending a cent. For me it’s a consciousness expanding exercise. One theory postulates that we occupy only one of multiple universes, how many we just don’t know. In this particular  universe some say there are a hundred billion galaxies. Others say its two hundred billion. Others again say there are five hundred billion galaxies. (I got these figures from a google search, so many results emerging I don’t see how I can provide links to same). When you take the difference between one and five billion, it becomes clear just how much about the universe we just dont know.  Also, I think that even if we don’t agree on the number of galaxies in the known universe we can say this. There are almost an uncountable number of them and as such there must therefore be an uncountable number of stars in the each of those galaxies. Right now its an unknown, but a immense number.

2MASS_LSS_chart-NEW

If there are a vast number of stars, then there has to be even more planets. Planets form usually from the leftover parts of stars (how planets form), so for every star, there are usually a number of planets rotating around them. Then notion then that we are alone in this incredibly vast, impossibly complex universe, that humanity and the dolphins and the great apes and so on are the only sentient creatures, well anywhere, is so vastly improbable as to be at this stage funny. Its an extension of the junk science isolationism and anthropocentrism we see pervading our culture at present, to think this universe is especially for us and we are alone in it. Though without an ET we got no proof, its also equally true its a mighty vast universe with just one planet that supports life. To me the geeks and conspiracy theorists will be proven right in time, the tinfoil hat wearing brigade talking about other worlds and alien visitations, however hilarious and at times, and, well a bit deranged, have a valid point. Its most theories that fit way outside the accepted agreed pool of belief systalien_kittyems are treated as a bit crazy, but the more one looks out on a vast canopy of stars the more one sees, well more stars. How is it possible we are alone in all of this? Furthermore if we are alone (unlikely), why are we killing each other for real estate or belief systems? We have unlimited places out there to make a home and live in peace. If anything the wisest course of action is to recognize how limited resources are here, treat this beautiful planet with love, and set about recognizing the dangers of overpopulation, and finding new homes elsewhere rather than killing other people simply because they dont have the same god or their ideology doesn’t match yours. The truth is maybe out there?

 

 

Be My Frankenstein

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The Perfect Human

Being a rather impressionable little boy, that is, when I was a little boy, I recall one of the most terrifying creatures of my childhood was Frankenstein, not Victor Frankenstein mind, but the Monster, or The Creature, also known as Adam, something I was reminded of by a friend. For now I am not talking about the book, but the movies. This huge bolt necked square headed silent killer that walked slowly and never stopped until you were dead was a prototype Terminator that was out to get me. Scary. Frankenstein haunted my dreams and my waking life. I had no doubt this creature existed. That scientists were building him somewhere, and that Victor Frankensteins Monster was a truly malevolent force. I became profoundly conservative in my thinking. I needed things to be safe and ordered and filled with ritual and nice middle class motifs. This was because my mind was frightening me. It was because he, the Frankenstein Thing was evil. Science was a doorway to a terrifying unknown. We should not mess with the natrual order of things.

Robert Cametti Frankenstein Heads art project for St. Jude's Charity
Frankenstein as Borg

 

This is of course was long before I actually sat down and read Mary Shelleys remarkable book and saw that this was not what the book was about and that the Creature was a fascinating damaged and complex being.

I mentioned earlier I was an impressionable little boy. I guess I am being a tad disengenuous. I was a scaredy cat. I was filled with phobias and terrors and oversensitivites. I had too many ideas and dreams, and I couldn’t control them or cope with them. Also I had no one to talk to about them. I had an incredibly vivid imagination and ghost stories and such like really gripped me. Frankenstein was real to me and something had to be done about it. I had to understand the monster. Getting to sleep at night became a real challenge. I tried strategies. I listened to the radio. I played music. I left the light on. I read until I couldn’t keep my eyes open. And eventually, I dropped off asleep only to see ghosts and monsters of the Frankensteninian ilk lurch out of the shadows and come ambling for me with arms outstretched and a dull empty gaze that spoke of murder.  I would wake with a start and go downstairs and drink a glass of milk or something and try to settle myself. I didnt know what to do with all these ideas and dreams. It seemed to me that the world of science, of creativity was filled with possibilities for good or ill, but it seemed also that no matter what we did, how many countless brilliant advances we made, we were always left with the fruits of our creation, our monsters, our Frankensteins. In the future there would be the mass production and corporatization of pharmacology that we have now, along with drone warfare, robot troops and police, mass surveillance, and Donald Trump. Back then in the sixties and the seventies there were science fiction novels and small indications of the future one would occassionally see on Television and the Movies. The problem was that all the top minds in the world of the arts predicted a bad end to our journey into scientific progress, despite the fact that millions of lives were being saved by science and that statistically the numbers of people being killed in wars and other conflicts were dropping precipitiously. It all made no sense, that is until I realized what they were talking about was not what science cured, but that our potential for self annihilation was now absolute. That was the real monster. Not the Creature.real monster

One of the things that cured my terrors was the experience of enlightenment. I actually picked up Shelley’s novel and read it. Victor Frankenstein was not the mad gothic genius with a cliche eastern european scientific sidekick working in some fire and brimstone lightning filled huge secret laboratory. He worked alone. Mainly in dissection rooms. His goal was to create the perfect human, a creature free of human foibles and defects. And by all accounts he succeeded. Except like all very intelligent sensitive beings, the Creature, as it was called, longed for human companionship, for love and meaning and because it, the Creature, was isolated and shunned, loneliness and  rejection drove it insane and led to its downfall, not least because Victor Frankenstein destroyed the Creatures potential mate and condenmned it to a life of isolation an desperate meaninglessness. The Creature was eloquent, poetic, thoughtful, sensitive, and given to long philosophical soliliques. Victor Frankenstein was a classic romantic character. In him we have what is now a veritable movie and fiction trope of the lonely genius labouring to create a better world using the gifts of intellect and skill, trying to replace blind assumptons with knowledge, undermining groundless fears with the power of insight. Instead of doing that, Victor created a being that had no place in the world, a being that went mad and had to be destroyed, a lonely desperate highly gifted creature who because he was a new type of transhuman, he had no peer, no companion, no home.

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The Creatures in love

I am no longer afraid of the Creature. I feel a great sadness now about his fate. His creator, Victor Frankenstein killed his bride and left him to go mad and become a psychotic killer. Deep down The Creature dreamed of going to South America, far from everybody, and living quietly with his mate, a female Creature, someone who would understand him, share his life as an equal, drive away the sense of his unbridgeable distance from others, a distance he neither wanted nor created for himself in the first place. The truth was that Frankensteins Creation had no place in ths world. If he and his bride could take a rocket ship to the stars, perhaps he might still be out there, but alas he was a being ahead of his time, so the tragedy of Frankenstein is the tragedy of his creation. Each destroyed the other. As the meme generators on the internet so like to remind us, Frankenstein was the name of the doctor, not the so called monster.

The Extremely Cool Marcel Proust

 

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There are few extraordinarily gifted people people out there who can also be described as really good people. They exist of course, but Marcel Proust, a true artistic genius, was one of them. Kind, sensitive, thoughtful to a fault, a good and faithful friend and an extraordinarily generous man with his time and money, Marcel Proust deserves the title of being ‘extremely cool’. And his books have few peers in sheer scale of writing and breath of vision. They are extremely long, indeed an enormous committment, but the rewards far out weigh the effort in time and patience spent in reading these wonderful books. Forgive me if I sound as if an assumption is made here about prospective readers of Proust. As so much of contemporary culture is about instant rather than long term reward, I am advocating something somewhat counter cultural here. hence my caveat.

Marcel and Marcel – A life poured into a Novel
Marcel Proust poured his life into his novel Remembrance of Things Past, or, as in the original French, A La Recherché du Temps Perdu. From his life he composed so many unforgettable characters, living breathing people filled with ambivalent, sometimes clashing ambitions and sexualities, contradictory longings and sometimes devastating losses. These lives lurk within those famous long lyrical beautiful tortured sentences. There is the erudite eccentric homosexual Baron De Charlus, quoter of Balzac with a fixation for sado masochistic practices in male brothels. De Charlus pursues the gifted musician Morel, who eventually betrays him. Then there is Baron de Charlus’ nephew, Robert de saint Loup who though homosexual, courts and eventually marries Gilberte. Gilberte, with whom Marcel himself was once in love, is daughter to the coquette Odette. Odette is wife of the aesthete socialite, the fascinating and tragic Charles Swann, who risked exclusion from society for Odette, the woman he loved. Marcel, the “I” of the novel, the complex neurotic gifted sickly self-doubting central fictional narrator, has his own share of tragic love affairs. He falls passionately for the bisexual Albertine, whom Marcel jealously tries to control and possess completely. Albertine flees her captivity and dies tragically, something Marcel could never get past. There are other people too: the Guermantes family, the Verduins, Marcels parents, and the brilliant artist Elestir, among many others.

These characters are composites from Marcel Proust’s own life. In detailing their lives, Proust draws from the content of his consciousness, mixes compassion with irony, beauty with pathos, wit with savagery. This style and vision makes his novel addictive reading. It is surprising that there haven’t been more movies about the novel as Proust writes cinematographically. I know of two myself: Jeremy Irons in Swann in Love, and Time Regained with Emmanuele Beart, Catherine Deneuve, John Malkovich and Vincent Perez. Both are fine movies.

Reading Marcel Proust’s Novel
Reading Proust is looking into the mind of a writer/narrator with a fetish for exactitude, an eye for emotional and physical detail that borders on obsessive compulsive. And this is why any at attempt at summarising A la Recherché du Temps Perdu is to subtract story from style, which is to miss out on one of the most unforgettable reading experiences one could have, no small loss in any lifetime. For Proust style is integral to substance, and the substance of the story is time, each moment of consciousness and identity being abolished by the next, time as death and rebirth captured and recalled and reborn in the truth of art. His work is filled with hilariously comic scenes of French society at the turn of the twentieth century. It is peppered with devastating ironies, depicting moments of extraordinary beauty and pathos and savagery. It has all the grasp of humanity, all the clarity and vision and beauty that only a mature artist can bring to a work at the height of their powers. It’s also in seven parts, and is three thousand pages long.

Marcel Proust (1871-1922) came to write A la Recherché only after an equally long journey of self-discovery. It is this journey which is the novels subject. Marcel Proust was the son of Adrien Proust, an eminent physician of provincial catholic descent, and Jeanne Weil, of a wealthy Alsatian Jewish family, born in Auteil, in France. He attended the Lycee Concordet (1882-89), which happily afforded a more relaxed regime than some of the scholarly Schools of the Quartier Latin, which served this sensitive person well. His school reports and essays and letters all speak of someone who loved reading and conversation, who avoided discord at all costs, who sought the companionship of his schoolmates and wrote for class magazines. His early childhood memories were recreated in A La Recherché in parallel with an intricate portrait of society life. One of his earliest memories forms the opening sequence of the novel, that of falling asleep at night. He speaks of dreaming, shifting consciousness, like a teleportation device taking one to other times and places. And yet he longs for the comfort of his mother’s goodnight kiss, his shield against night terrors. In parallel to his own private world, he draws in society too in the person of a family friend, Charles Swann, and later on in life hearing of Swann’s desperate pursuit filled courtship and eventual unhappy marriage to the unfaithful courtesan Odette de Creacy. Swann had met Odette years before at the Verduin salon, filled as it was with countless tiny torturous rubrics and rituals of propriety and nasty controlling gossip. Swann was based on the real life Charles Haas. He, Haas, was born approx. 1833 and was also a habitué of literary salons and artists’ studios. Haas, like Swann, was a Jewish dilettante who was well received in French high society. But Swann, unlike Haas risked his status and reputation for Odette de Creacy. Unfortunately the marriage was not a happy one. Proust did not intend to use Haas at all in the novel and actually gave Swann a very different personality than that of Haas. He said he found that Haas “was present at the conception of my Swann” (Corr vol XII p.387)

People like Haas, whom Proust met superficially or intimately, attached themselves to his memory and imagination, clinging like marker buoys to deeply submerged fragments of memory of his past life. These fictional people play out the tragicomedy of their lives as Marcel strives to find himself within this world of French high society.

 

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Drafts of the Novel ‘Swanns Way’

 

 

What actually happens – the story of the novel
The subject of A La Recherché du Temps Perdu is Marcel’s own evolution from sickly little boy to the artist who succeeds in his ambition to write a great work. The moment which gave the narrator Marcel the inspiration to begin the work is depicted at the end of the book. Here Marcel, now approaching middle age, is late for a musical soiree and is asked to wait in the library of the fictional Princess de Guermantes. The butler brings tea and cake. Marcel has at this stage in his life achieved the highest social acceptance. As he sits waiting, dipping his madeleine cake in tea, he unexpectedly has a climatic moment of realisation. He has a moment of involuntary memory. Memories of childhood wash over him. Suddenly he realises what he must do. He has found the great work he must write. The work is himself, his own journey. Edmund White in his fine book on Proust comments that perhaps “the strangest drama in Proust’s life is the transformation of little Marcel – the dandy and partygoer, the time waster who at thirty- four had managed to do little more than write a slim volume of short stories and two translation of Ruskin – into the great Proust, who wrote one of the longest and most remarkable novels of all time.” (Proust p.82) And now because of his crippling health problems, his ambition to succeed is also a race to against time to write, a race against death.

It is this ironic circular movement, this beginning and end, whereby Marcel in discovering his calling as an artist has to leave society, that make A La Recherché du Temps Perdu so memorable. He has to leave his life, or what he thought to be his life, and recreate the true life. He has to rejuvenate impressions suppressed by time, to recompose life and bring him back to his self, his boyhood and the love and companionship as he originally knew them. For Proust one creates fiction to recreate the truth, to resurrect it from the tomb of time where all things die. The work of the artist is the discovery of life hidden beneath self-love and intellect and habit, the underworld of life unseen because of the mundane and the ritualised. Ironically enough, the Guermantes salon where Marcel has his library insight is initially shown as a place of intelligence and poetry and high art. It is the initially the perfect circle for the fictional Marcel to revolve within. Moreover Marcel falls in love with the Duchess de Guermantes, but gets over it when he meets her in society after a trip to meet Saint Loup in his garrison town. Gradually Marcel’s disillusionment at the hollowness and vanity of Guermantes’ society surfaces. This fictional experience parallels Prousts deepening adult disenchantment with society, something that grew as became ever more upwardly mobile in society. As a boy he had suffered his first asthma bouts, a condition that was to debilitate him for the rest of his life. His childhood holidays (1880-89) were spent at Illiers and Auteuil or at seaside Normandy resorts with his grandmother. These childhood holiday scenes later became the Combray holiday scenes of the novel. During this time, as he played along the Champs-Elysees, he meets and falls in love with a little girl named Marie de Benardaky, just as in the novel the fictional Marcel meets and falls in love with Gilberte Swann, daughter of Charles and Odette. It is through Marie and other such children whose parents were society hostesses that Proust became as he grew older a habitué of some of the most exclusive drawing rooms of French society. Despite his chronic and recurrent ill health, Proust spent a year in the army (1889 to 1890), studied and took licences in law in 1893, and literature in 1895 at the School of Political Sciences. In 1896 he published Les Plaisirs at les Jours (Pleasures and Days), a selection of poignant stories already published in such magazines as Le Banquet and La Revue Blanche. Already he had begun to write the somewhat disjointed but brilliant novel Jean Santeuil (published eventually in 1955), which coincided with his increasing ill health, his gradual withdrawal from a society he could not tolerate.

 

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Prousts famous noise excluding cork lined room

 

The Dreyfus Affair and Withdrawal from the World
This world weariness reached a high point with his involvement in the Alfred Dreyfus affair. Dreyfus (1859-1935) was a Jewish army officer unjustly imprisoned in Devil’s Island for spying. The affair was highly controversial, and spilt France into two highly contentious factions. It also alienated Proust from his father. Proust assisted Dreyfus’ lawyer and organized petitions on his behalf. Again his sensitivity to rejection and abandonment, which probably lent itself to his extraordinary graciousness and wit and skills at mimicry, came to the fore. Though Proust was not blackballed in society because of the Dreyfus affair, he did lose friends and was subjected to snide remarks because of being half Jewish, though he protested himself to be catholic. In reality he was agnostic. More than anything it was the bigotry and anti-Semitism of French society which led to his final withdrawal from it. This need to find oneself in the world of society, to find acceptance in it, and consequent failure and retreat and disillusionment, rises and disappears in cycles throughout A La Recherché. Indeed Proust, now that he had no salon world to comfortably retreat into (aside from the very occasional sortie), truly feared his own destiny as a writer. He feared rightly that in beginning the great work he so longed to write it might take everything he had in life. Consequently it would have been easier to dither. Then he might at least continue to live, be among the beautiful creatures of desire that populated high society, write brilliant pastiches of Balzac and Falubert, translate the art critic Ruskin’s works as he had in younger days, and have something akin to a life. But he didn’t. He took the plunge and wrote on. The first volume, Swann’s Way was rejected by the highbrow publishing house, Nouvelle Revue Française on the recommendation of Andre Gide, who thought that a snob like Proust could contribute little worthwhile to literature. Proust’s housekeeper, Celeste Albaret, thought that the manuscript had not even been unwrapped, let alone read. Gide was later to apologise, and radically changed his views after actually reading the manuscript. After the initial rejection by the NRF, the courageous publisher Grasset published Swann’s Way in 1913. Further negotiations between Grasset, Proust and the NRF led to a simultaneous volume being brought out, Within a Budding Grove, for which Proust won the Prix Goncourt in December 1919. Three more volumes came out during Prousts lifetime: Le côté de Guermantes I (October 1920), Le Côté De Guermantes II – Sodome et Gomorrhe I (May 1921), Sodome et Gomorrhe II (April 1922). The NRF in collaboration with Robert Proust, Marcels younger brother, published the final volumes – La Prisonnière (1923), Albertine Disparue (1925) and Le Temps Retrouvé (1927).

Througout A La Recherché the narrator Marcel continually has the ambition to write a great work ever drawing him on. This desire remains despite his misgivings over his talent, and even though ironically his ambitions in society if not in love, are continually satisfied. In real time, for Proust it was the death of his parents, his father in 1903 and his mother in 1905 that ironically set him free both emotionally and financially to write. Proust lived within a cycle of dependency, especially with his mother. Just after his mothers death Proust wrote to the Comte de Montesquiou (the basis for Proust’s Baron De Charlus character) saying that with his mother’s death “My life has now forever lost its only purpose, it’s only sweetness, it’s only consolation. I have lost her whose unceasing vigilance brought me in peace and tenderness the only honey of my life” (Selected Letters 2:208). He sought that peace and tenderness in many forms, in the character of Albertine, the thinly disguised feminisation of Albert Agnoscelli, Prousts secretary and great passionate unfulfilled love. Albertine is first depicted as the leader of a group of girls running on the beach led by Albertine. Like Albertine in the novel, Agnostelli was held captive by Proust, fled from his possessive love and dies tragically. Albert Agnostelli died in a plane crash in 1914 during a time when Marcel saw that millions were about “to be massacred in a war of the worlds comparable to that of Wells” (Corr. Vol XIII, p 283). The death of Albert occurring at the outset of war, led Proust to the second great shipwreck of his life after the death of his parents. For him this death, like his mother’s death, represented the loss of love, loss of everything. It was a desperate passion, an unspeakable unfulfilled desire that Proust projected onto his secretary. With Albert dead as in the novel, he felt himself to be a spent force. His passion and desire and jealousy of Albert were thwarted, as it was always thwarted in life, this time by death. Beauty is lost as love is lost, and though Proust was at the height of his powers as a writer, he stopped writing for a time to heal from such a devastating shock. Just as it was Prousts discovery of John Ruskin’s art criticism back in 1899 that led him to abandon Jean Santeuil, so too during this terrible crisis, it was the spiritual discovery that there was no region of the soul that could not be penetrated with the clear light of art that led Proust to return to work. Proust depicted these scenes of irrevocable loss in the latter part of A La Recherché du Temps Perdu, echoed as they were by other irrevocable losses through the novel of other characters as part of the inescapable truths of life, the emptiness of love and friendship, the ambivalence of desire and sexual attraction, that snobbery and cruelty are as common as beauty and kindness. The only champion against the ravages of time lie in the memories of loved ones and places and interactions stored in involuntary memory. There, outside time, life remains inviolate, beauty and truth becomes sustainable whereas in time it disintegrates. From the first pages of the novel, where through the eyes of the fictional Marcel one relives his childhood longings for his mothers goodnight kiss which was his shield against the terror of abandonment, we experience a hypersensitivity, a sense of dread and abandonment which never left him. It returned in later life as lovers left him, or friends and relatives died, whether naturally or as part of the thirty six million casualties of the First World War. But one of the novels deepest truths is the emptiness of friendship and love, as Beckett writes “Friendship according to Proust, is the negation of that irredeemable solitude to which every human being is condemned” (Proust p. 63) Ironically though, Proust both in life and in the composite fictional Marcel remained a faithful friend, and betrayed no one.

The End
Towards the end of the novel after Albertine’s flight and death and Marcel having spent some time in a sanatorium, he meets Baron de Charlus, now physically ruined by his sexual inclinations, betrayed by his beloved Morel and by the Verduins, his friends. Charlus begins to enumerate all the dead they both once knew: “Continuing to speak to me about the past, no doubt to prove to me that he had not lost his memory, he evoked it now… by reciting an endless list of all the people belonging to his family or his world who were no longer alive…with satisfaction at having survived them” (A La Recherché Vol. 6 p.211). This incident forms an initial link to a chain of events of memory that makes Marcel realize that the beauty and truth of the past still lives, and he begins the work of writing A La Recherché du Temps Perdu.

The novel has Prousts own homosexuality projected onto it, something that conspired along with his disillusionment and half Jewishness to producing a work written from the perspective of the outsider who ironically, is still fully accepted in society. It is precisely because of Marcel’s sense of otherness that allows him such a lucid deeply sensitised view of the society he grew up in. His fair minded exploration of all aspects of human nature, the beautiful and the bestial, broadened the range of his work, making A La Recherché du Temps Perdu into one of the greatest novels in all aspects of sexual love and of human nature. It is filled with brilliant insights into the nature and vanities of human love and sexuality, and profoundly influenced novelists and artists from Samuel Beckett to Virginia Woolf.

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The Late, Truly Great, Marcel Proust

 

Proust died on Saturday November 18 1922 of complications brought on by bronchial pneumonia. He died feted as a man of letters, still helping his friends and fretting over the as yet unpublished sections of his novel. He died a fulfilled person after years of apparent failure and anonymity. He died with a reputation that was to expand to astral proportions. He had succeeded in his ambition to write a great work, the sheer originality of it, along with his celebration of the extraordinary nature of everydayness, makes A La Recherché du Temps Perdu a true classic, a truly universal novel.

The Dragon

It’s extraordinary how much a city can change in a short period of time. Take Dublin. In 2013 when I last lived here full time, Dublin was a vibrant city in the midst of change, just pulling out of the last vestiges of a huge economic slump. There was a sense of hope, of expectation, of burgeoning change. People were angry and yet hopeful. Now the economy has taken off and a type of lonely impersonal self-absorption has set in.

The city is bustling with busyness and smartphones and businesses and commuters. I see traffic and armed police officers, huge shopping queues, coffee shops with laptop wielding nerds and professional couples, people with baby strollers decompressing during lunchtime, solitary folk texting during break-time, stone faced professionals performing at breakfast meetings wielding busy clipboards and watching their tone and body language, restaurants filled brimful on weekday evenings when they should be half empty, and hordes of daily commuters trudging to work in obligatory reflective gear while I walk my dog at seven AM.

I am stuck in Dublin. But only for a short time. I am trapped in the city while I await the sale of my house to go through. It’s a frustrating depressing time. I have no job. I am recently unemployed having worked in a school in Karpacz, Southern Silesia in Poland. I loved my job. I loved teaching, and Poland was beautiful, if not a country grimly drifting so far rightward to becoming autocratic and living in a forbidding past. Some reports since my own departing seem to validate my choice to get out. Friends who live there right now are planning their departure in the forseeable future. However I had to come back to see through my house sale. Most of all, I had to come back because Ireland is my home, and I love Ireland.

The house I live in is empty. And, as I said, I have nothing to do. Moreover, its Christmas – ugh. And I just don’t do Christmas. From my early teens Christmas has always been a meaningless time for me. So as I pen this, I am aware how my own emotional filters colour these impressions and word pictures. Yet despite this caveat, the things I pen here have that gut feeling of a deep truth.

Its morning. I am still in Fairview Park. It’s dark and frosty and a huge half-moon hangs in the morning sky.  Workers whizz past along bicycle tracks in generic helmets and reflective gear and it all seems so correct and legal and safe and, well, boring. I just couldn’t do it. Not now…

Truly I say to myself (as my dog drags me round the park chasing pigeons), the life of a writer is incomprehensible to someone who does not write, who has never experienced its thrill, its seduction, its consciousness altering potential, the sheer rush of producing something good (though as Bob Dylan says you have to write ten bad songs to write one good one).

Once one enters into the dragon’s cave of being a writer, once one discovers the gold the Dragon sleeps under, nothing else in life is as beautiful or as enthralling. One has to befriend this Dragon. Not tame it, but befriend it. Accept its awesome power and beauty, and never be tempted by the gold.

There’s a lot of gold in the city now. Maybe its a different gold to the one that I am tempted by. And people are chasing it. I wonder if they know there is  usually a Dragon guarding it down there. Dragons take no prisoners. They look busy, these people. Focused. They are travelling as though they have a purpose. They are clean. Rested. Drinking coffee from one of those cappuccino stands that dot thoroughfares. The sun is coming up. Others have swung out on their bikes onto the main roads. Traffic is obscenely busy into the city centre. These people have got about twenty minutes to be at their computers. Or desks. Or meetings. Clients are waiting. I am going home. Have to make a sandwich. Or something. I haven’t decided yet. Yes, I guess I am hungry. Definitely a sandwich.

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Robert Oppenheimer’s Game of Thrones

Or

War and Other Zero Sum Games

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George’s Vision
There is little doubt that George R. R. Martin is a superb writer of fiction. His characters are deeply human and deeply flawed. They are engaging, sympathetic, well rounded, with complex pasts and contradictory aspirations, as well as being very well-written. To say his novels are epic in character and plot does not do them justice. The stories Martin tell are not simply epic. They are timeless and they explore deep truths about human nature, especially our propensities towards violence, domination and cruelty. There are of course many parts of The Game of Thrones that are beautiful and memorable. There are however far more that are disturbing. The pages are replete with casual violence of all kinds: rape, torture, incest, infanticide, and fratricide, not to mention battles of such levels of horror to render one disturbed for years afterwards, perhaps a lifetime, that is, if one were unfortunate enough to actually experience them first hand. Reading about them or watching them on the big screen is upsetting enough. More than anything it is a tribute to the level of writing both onscreen and on the page that this vision, which is in so many ways so terribly dark, actually reaches our screens and eyes undiluted of realism and thus impacts us so deeply. Beauty and horror and magic and philosophy co-exist with thuggery and torture and chicanery and power obsession. In Martin’s world the meek do not inherit the earth, and by ‘earth’ I do not mean the planet – rather the imaginary ground that the Game of Thrones takes place on. The meek and the weak are killed off unceremoniously. Sometimes the not-so-weak get killed off too. It doesn’t seem to be a matter of morality or good planning or anything within human control whether one lives or dies. It’s a matter of wit and luck and good timing and spontaneity whether or not one lives. But one thing is absolutely certain, whether it be brawn or brain or a blend of both, if you cannot protect that which is yours, if you do not have a weapon, then you will probably get killed off by a band of wandering hunter killers, a passing platoon of sociopathic soldiers, or a very hungry homeless person who needs food and supplies just to get by. Life goes on according to the uncertainty principle, so one girds ones lions and develops lethal skillsets, either that or one does everything possible to stay out of trouble, which only very occasionally works. I think everyone wants to know who will win The Game of Thrones, for that is what it is: a power play where the stakes are so high that hundreds of thousands are killed at a go, where lives are ruined at a King or Queens whim, where spirits are crushed by indifferent sneering hordes of people – and all for the sake of absolute control of an area of land which is but a tiny fraction of the size of the planet this Game of Thrones is carried out on.

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The thing is it doesn’t matter who wins The Game of Thrones. It seems inevitable that unless the winner of the throne of swords, the Iron Throne, kills literally every enemy and potential enemy, it is inevitable that someone will rise up and lead a revolution. There is something deeply pessimistic and Sisyphean in the striving for the Iron Throne. It reminds me very much of Wagner’s ring of power, a prize that gives its wearer absolute power, yet renders love impossible. Or like Tolkien’s ring, which also gives absolute power yet consumes the soul of the wearer. Power, according to George Martin, is an addiction, an addiction that destroys everything in its wake.

The Oppenheimer Effect

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When I saw Game of Thrones, I immediately thought of Robert Oppenheimer. In the early 1940’s Oppenheimer had a horrible realization, rather like the vision unpacked by Game of Thrones, which is based on the Wars of the Roses and Ivanhoe by Walter Scott. Oppenheimer and other rather visionary thinkers realized something truly awful. It was this: If they didn’t do the unthinkable, the unimaginable would happen. Let me unpack this: He and some colleagues realized that the technology existed in embryonic form to create what was to become nuclear weapons. A paper on nuclear fission fission was published in 1939 in Nature Magazine. It was all there. You now could conceivably make a super bomb. This was a difficult situation. The West was facing an implacable foe: Adolph Hitler. Furthermore what if Adolph Hitler got access to that kind of technology? Einstein had already written to Roosevelt saying this. Hitler going nuclear would mean the war was lost, no matter how conventional warfare was progressing. Worse, in the hands of someone as clearly insane as Hitler, it might mean some kind of Apocalypse. Fascism plus nuclear weapons undoubtedly could mean the end of civilization as we knew it. Something had to be done. So they, the USA built the bomb.

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Then they detonated it over civilian cities. Oppenheimer was horrified to the core when this happened. Why was it necessary to kill hundreds of thousands of civilians like that? He told Truman he felt he had blood on his hands. Truman was furious. Oppenheimer was a liberal intellectual with a long history of left wing sympathies. The cold war was heating up. The Soviet Union was operating spy networks among the scientific community in a bid to get as much information as possible on the new technology. The FBI was watching and amassing a vast dossier on Oppenheimer’s complex left wing ties which would eventually lead to his security clearance being revoked and his being cast into the outer darkness politically. Oppenheimer was up to this point a formidable operator with enormous influence, politically, ideologically as well as scientifically, and he had many implacable enemies, especially in the right wing scientific community. Though he was later rehabilitated, things were never the same for him and a culture of conformity was established in the scientific community that to a greater or lesser extent remains to this day.

einstein-albert-and-oppenheimer-sized.jpgFor Oppie (as he was known) nobody could win a nuclear war. Moreover he was unafraid to say so. The one moment more than any other that gave a clear picture of Oppies view of the unwinnable nature of nuclear war was a talk he gave to the New Eisenhower Administration Elite Council on Foreign Relations on Feb 17 1953 called Atomic Weapons and Foreign Policy. He spoke as he always did with the eloquence of a poet, the vision of a mystic, and the mind of the brilliant scientist that he was. He simply had no peer when it came to debate. Oppie was a brilliant, but he was a man who made enemies because of his hubris, his depressive temperament, and his tendency to miss the point politically at crucial moments. But he gave his talk and he was as ever mesmerising. There was, he said, a sense of inevitability now about the development of nuclear technology. Soon there will be well developed nuclear intercept capability, and from that point there is conceivably no limit to how far the development of nuclear weapons could go. It was, he said, like two scorpions in a bottle. Both had absolutely lethal stings. It was a zero sum game. War by definition meant escalation. He was of course, absolutely correct, and it was inevitable that nuclear arms agreements and disarmament was the reason why we did not have a nuclear war during what we call the Cold War and afterwards. Oppie’s vision foresaw that. Oppie’s speech was also the final nail in his political coffin. After that his enemies had everything they needed to destroy him. And they did. To read more about Oppie, I suggest the mind blowing book by Kai Bird and Martin Sherwin called American Prometheus.

The End of The Game
But there is something more to Oppenheimer’s and Martin’s realizations. This is a weird moment where history and fiction come together to uncannily give the same powerful message of peace. Oppenheimer and Martin both had a vision of conflict that not only embraces the horrors of the nuclear option, but of all conflict. War has no limits, only peace can bring limits. War means escalation. All weapons lead to greater weapons. All escalation eventually leads to genocide. The nuclear option is one weapon of mass destruction. There were others, and there will be even greater ones. Even in the Game of Thrones we had dragon fire and fleets of ships and huge temples being detonated by liquid fire. If we have an enemy we are determined to destroy we will do everything in our power to destroy them. If we engage in the Game of thrones our enemies will be defeated, that is until they rise up against us some time in the future. There is thus no real winner to The Game of Thrones. It sounds trite, but this is a game that both Robert Oppenheimer and George R R Martin is telling us there is no and can be no winner to the Game of thrones. The Game of Thrones is a game of death, on every level.

A Miscavige of Justice

Or What in Heavens Name Happened to Louis Theroux’s “My Scientology Movie”?

Louis Looks Quizzically at the Church of Scientology As a decades long fan of just about everything Louis Theroux has ever put out on the BBC, I was completely thrilled to hear he was going to embark upon a documentary about a subject that had long fascinated and intrigued me: Scientology.

L Ron and Me

dianeticsI remember around the age of sixteen picking up a copy of the delightful Dianetics in a second hand bookshop in Dublin and reading it through and saying to myself Is this for me?  Then I heard that L. Ron Hubbard was a bit dodgy as a person, not at all like Jesus or Buddha. Apparently he had kidnapped his wife in 1951 and that his doctrines had been condemned by the American Psychological Association. That interested me even more. After all L Ron wrote so many science fiction novels. I thought – well a little crazy can be good for creativity. But then there are limits. I mean take this as an interesting story : this is Scientology Dogma: Scientology teaches, as a core element of its belief system, that one of the fundamental incidents of human history (and indeed our Destiny) refers to an intergalactic overlord Xenu or Xemu. Around 75 million years ago, Xenu as a ruler of a galactic confederacy, killed billions of his people. He did it as an act of population control. Xenu captured, froze and paralyzed billions of citizens of his planets and brought them to the mouths of volcanoes on Earth. Next, he blew the mouths of these volcanoes using nuclear weapons, thus releasing millions of alien spirits onto the Earth. Afterwards, he recaptured these spirits and subjected them to a massive personality deprived indoctrination program (watching lengthy movies apparently) that inadvertently contributed to the development of all those other misguided religions – other than Scientology. Apparently all these spirits, for all eternity, cling to our misguided and unclear human souls. This, if you like, is Scientology’s doctrine of Original Sin – or in other words- L Ron’s Story of where it all went wrong for humanity. Humanity is doomed – unless we adhere to the tenets of Scientology . To me now that is really interesting.

Science Fiction and Belief Systems

forbidden-planetI mean  its not that absurd really. Its in our natures to tell ourselves stories to explain everything. That being the case, I have been a fan of science fiction ever since I was seven and saw  Forbidden Planet, and read the wonders of the Asimov’s Foundation Trilogy. People scoff at the belief systems of Scientology. When I hear such scoffing, I scoff back, mostly at myself. I mean, I believed in Transubstantiation and the Virgin Birth, the Trinity and the Miraculous Medal. One can be made to believe literally anything, given the right conditioning. And such doctrines, that I have thumbnail sketched above, are revealed to Scientologists only after a long period of very expensive and very exhaustive conditioning. In other words, unless we adhere to an open philosophy of life (in other words a notion of truth that’s testable and refutable by experience), we get into trouble.

Louis’ Scientology Movie

Louis Theroux took a very interesting and unique approach to the issue of plumbing the depths of Scientology. He took, as his starting point, the arrival of David Miscavige after L Ron Hubbard’s death in 1987. Miscavige reigns as the new Pope of Scientology, or  “Chairman of the Board of the Religious Technology Center (RTC), a corporation that controls the trademarks and copyrights of Dianetics and Scientology.” (Wiki Page on Miscavige), has not been a popular one. His absolutism has made for him many enemies, countless critical books and a few super Documentaries (Going Clear is a gem). One in particular is Theroux’s use of the testimonies and remembrances of former members of the Religion such as: Mark Rathbun, Andrew Perez, Rob Alter, Jeff Hawkins, Tom De Vocht, Marc Headley and Steve Mango.

Its clear that these people feel this faith is a lie and a terribly destructive force in modern life. Theroux questions them in a half humorous – half teasing way, while maintaining a professional distance from whether what is being told him is actually the truth. Moreover, one of the more delightful aspects of the movie is that Theroux actually uses actors to re-enact critical aspects of the church’s history, some speeches by Miscavige himself, and some of the more controversial scenes where Miscavige goes somewhat medieval on the Scientology’s top brass, in a place called ‘the hole’ (at the Gold base in Helmet California). We have a few actors playing Tom Cruise, David Miscavige, and others. Then things get strange. As Theroux is making the movie, it becomes increasingly clear that the church is making a movie about him. They send him countless legal letters, harass former members – particularly  Mark Rathbun.

Rathbun and Theroux

And this is where I have a problem with the movie. Mark Rathbun is a former head of Inspector General of the Religious Technology Center (a kind of head of Scientology’s thought police), investigating and correcting any ideological or doctrinal deviations. This he did for over twenty years, until he resigned in 2004. He tried for a while to form an independent Scientology religion and now declares himself not a believer. Rathburn, like anyone with a complex past, when he was the ‘go to guy’, the ‘fixer’, appears to have done things which he is willing (only in part) to talk about, but also appears to be keeping a lot to himself. Theroux continually prods him and tries to get him to open up. However Rathbun is a complex and highly sophisticated man with complex feelings of guilt, anger and regret over his involvement in Scientology, and after so many years, a lot of unprocessed feelings over his own past. In other words not someone you needle or try to provoke. Unfortunately instead of trying to generate some type of congenial relationship, Theroux does the opposite and antagonizes the one person who had the power to make or break the film. As Jefferson Hawkins said in the movie “Marty knows where all the bodies are buried.”

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Louis Theroux and Marty Rathbun
And the end of the movie we are greeted with a somewhat anti-climatic and simultaneously disturbing vibe. After a scene from ‘the hole’ re – enacted by actors, Rathbun is tormented by Scientology members outside the movie studio and is visibly upset. This is when Theroux goes for the jugular against Rathbun. Theroux reminds Rathbun that he too tormented ‘suppressive persons’. ‘SP’ or Suppressive Persons are what Scientologists refer to as unbelievers, skeptics and former embittered anti-Scientology members. But this is bad timing. Rathbun’s tormentors have just hit him with hurtful remarks about his adoptive child and Rathbun is devastated. He tells Theroux to go fuck himself. Things get ugly and the film never recovers to fulfill its earlier extraordinary promise. This is one of the few times I have ever seen Theroux meet his match intellectually and psychologically and the one unfortunate aspect is that he, Theroux, did not treat Rathbun as an equal or see Rathbun as the complex intelligent vastly experienced person he is. Theroux toyed with him and needled him, but never really befriended him and things went awry. A great pity and a poor ending to a movie with so much promise.
*With Thanks to Ishka for her many comments and editorial work